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• Comment Link Monday, 20 May 2013 16:54 posted by cornchefe

  Femme on Fire: Krewella
  The girls of Krewella are both so gorgeous we couldn’t pickjust one to interview, so we hopped on the phone with both of them for 15minutes in heaven. SistersJahan and Yasmine Yousaf have been touring nonstop since last year with their producer Kris "Rain Man" Trindl whentheir online coach factory outlet song “Killin’ It” broke out coach factory like wildfire. We caught up with the Yousafsisters before they head overseas to tour with the Ultra Music Festival to talkabout their new EP, social media and their wild fans. Playboy.com: You’reour first double-team Femme on Fire! You guys are both so gorgeous we couldn’tsay no to either of you. Both: Thank you!Playboy.com: Congratson your Play Harder EP. People arereally digging it. When did you start noticing people freaking out about yourmusic? Yasmine: It’shard as an artist; when you get the littlest amount of attention in your firstdays it means the world, so even in the beginning when we had one personfreaking out about our music I even remember that stuff. But obviously ournumbers have grown over time. I’d say that it was probably February of lastyear when the “Killin’ It” music video dropped. That was when we noticed thingswere spreading a little bit wider. Jahan:Yeah, and that’s around the same time we noticed that when we wereplaying shows the crowds slowly were starting to know the songs by heart. Nowit’s at the point where we’ll have the entire crowd singing our recent single“Alive.” When we first released the song, it would’ve been just the kids in thefront row. It’s really cool to see that grow. Playboy.com: Iwas going through your Twitter and saw that people even have tattoos of yourlyrics! How does that feel? Yasmine: It’samazing. It really inspires us and makes us want to become something largerthan just making the music we are right now. Their enthusiasm makes http://www.ccoachfactoryoutlets.com/ us reachout to our fans when we’re writing music and when we’re thinking about conceptsabout albums. It definitely affects our creativity. I really do love that theycan share it on Twitter, too. I think it’s the most amazing thing that we canconnect so intimately with the people who have supported us. Honestly, theyhave become our friends. We talk to these people every day on Twitter andFacebook. They’ve become a part of our family. We’re always on the road andnever really get to take a chance to breathe. So being always connected withthese people makes the ride a lot more fun. Jahan:Being connected is really important. I feel that it’s what sets us apartfrom other artists; what we’re doing is not a one-way street. Instead of fanstweeting, e-mailing or Facebooking an artist where normally it would go into anabyss, with us we see it as a mutually beneficial relationship where we’re alltalking with each other. It’s not like we’re on this pedestal with all of thesefans worshipping us; we love our fans as much as they love us.Playboy.com: Youguys kill it onstage, and we assume you know how to party. What’sthe best place in the world to have a big bash?Jahan: I alwayssay our hometown, Chicago. I love playing there, I love partying there. UltraMiami was crazy, too, so if you’re looking for a party scene that’s the placeto go. You have this hub of electronica artists, clubs and underground parties…it’sjust a whole week of that. Playboy.com: Ultrawas one of the first times you performed the lyric tracks live. Jahan: We’ve beenincorporating it in our sets now for a few months. The environments we usuallyplay in are rave-type settings and bottle service clubs, so it’s not reallysuitable for that, but Yasmine and I had been dying to come out from behind thebooth because we love to perform the music that we like. So we’ve beenincorporating it towards the end of our sets, singing a few songs here andthere, but Ultra was the biggest show we’ve done with live vocals. We had sucha blast. There’s a dynamic coach backpacks now in our set when we DJ and then come out from thebooth, interacting with the audience. It’s not just us hiding behind acomputer. So we’re really stoked about that. Playboy.com: Howdid you go about choosing who to include on your latest EP?Jahan: A lot ofthem were friends of ours. We’re pretty connected in Los Angeles right now withthe up-and-coming producers and DJs and ultimately chose those who had a reallyunique sound. For example KillaGraham, we knew that he’d take “Killin’ It” andput a completely different spin on it. He gave it a new bpm and it’s acompletely new vibe that almost has a rock-type vibe to it, which is reallycool. That’s what we look for in remixes. We’re not looking for someone to takethe track and put another layer over it, it’s about completely giving the songa new direction, a new vibe, a new emotion. Playboy.com: Wasthere one remix that you were really blown away by how they interpreted thesong? Yasmine: ProbablyStephen Swartz’s remix of “Alive.” When we got that back for the first time, wewere blown away. Nobody had ever taken one of our songs and completely flippedit 180. He did a beautiful job of it. It’s totally chill. It’s the same bpm andyou would never guess it. It’s 130 bpm but it feels like another world. Playboy.com: cheap coach backpacks Whatare coach backpacks you looking forward to most this summer?Yasmine: We havea few international dates; we’re playing Ultra in South Korea, which is reallyexciting. That’s in June; it’ll be our first time there. It’s always excitingto go overseas to see who we’re playing for because no one ever has any idea.We feel pretty comfortable playing shows in America because we know the places,we know we have fans here, we know that we’ll have people singing along to oursongs. The second we go overseas it’s kind of like a wild card. We’re alsoplaying Ultra Croatia. I’m curious as to what the music is like there,apparently it’s insane. I’ve heard that it’s the craziest Ultra festival in theworld, so I’m so stoked to play it. Playboy.com: What’syour favorite story from the road? Jahan: Probablyone of the funniest experiences was with Kris —he’s our producer in thegroup that goes by the stage name “Rain Man”—and SteveAngello from Swedish House Mafia. We were playing in Kansas City at this globaldance festival where we opened for Steve Angello and Knife Party. After theshow we stuck around to watch them and Steve came into our green room and waslooking to party with us, which really surprised us since normally artists justkind of do their own thing after their set. But it seemed that his goal for thenight was to get Kris drunk. It was pretty funny because he was just doing iton his own. He was just shoving tons of alcohol in his face. By the end of thenight Kris was piss drunk. So we have this war going on with Steve; the nexttime we see him we wish to seek revenge! Playboy.com: What’syour… Worst pickup line:Jahan: I couldtake your career to the next level.Yasmine: Oh yeah,that’s a terrible one.Favorite drink:Jahan: Jameson,I’d say that’s our go-to drink on the road. It’s on our rider; it’s what wechug out of the bottle while we’re performing. I’d say that’s our group drink. Favorite food: Yasmine: Anythingthat has a large amount of sugar in it. I’m like a kid, I like sugar.Jahan: I’m a hugefan of Greek yogurt. Gotta be semi-fat or full-fat yogurt, plain, with honey init! First memory of Playboy:Yasmine: I havesuch a random memory, but there is this episode of Fresh Prince where the daughter is posing for like aweather girl thing in Playboy, and Ijust have this odd memory of linking that one episode with the Playboy brand.
• Comment Link Monday, 20 May 2013 16:45 posted by dueddysperm

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• Comment Link Monday, 20 May 2013 16:44 posted by ReaceWexaband

  Celebrity Director Quentin Tarantino's 20 Years in Film
  It’s kind of a big deal when a prolific director celebrates two decades in film, releases one of the most highly anticipated films of the year and gives out an interview to Playboy all in the same month. Only a man like Tarantino can pull off 20 years of film in style, winning a slew of awards along the way. We’ve broken down his films in the best way possible by reminiscing about the music, babes, cars and sharp-looking black suit that have made him the film deity he is today.Using approximately 100 songs in his first four movies, Tarantino’s soundtracks are as celebrated as his films. Tarantino understands that songs are an integral part of the tone and setting of a film, which is why the tracks he handpicks to score his most poignant scenes are so legendary. “If you put the right piece of music with the right sequence, I actually truly think it’s the most cinematic thing you can do,” Tarantino told one British reporter during a press junket for Death Proof. “It’s the most magical cinema can be.”Chuck Berry – “You Never Can Tell” (Pulp Fiction)You Never Can Tell by Chuck Berry on Grooveshark“This scene is funny because it’s a situation is happening in the film where John Travolta and Uma Thurman are in this like ’50s restaurant and then all of the sudden they have this twist contest. And the thing is everybody thinks that I wrote this scene to have John Travolta dancing. But the scene existed before John Travolta was cast; it was like, ‘Great. We get to see John dance.’” – Tarantino on Charlie RoseThe 5.6.7.8’s – “Woo Hoo” (Kill Bill: Volume 1)Woo Hoo by The 5 6 7 8s on GroovesharkThe story goes like this. While Tarantino was scouting in Tokyo for Kill Bill, he stopped in at a secondhand clothing store and heard a recording of the band The 5.6.7.8’s. He asks Coach factory outlet the owner who the trio was, buys the album the next time he sees it and instantly falls for the band. Once he listens to the song “Woo Hoo,” Tarantino visualizes the long cascading shot in the House of Blue Leaves and the fight that unfolds as the retro garage trio play as? themselves as the house band.George Baker Selection – “Little Green Bag” (Reservoir Dogs)Little Green Bag by George Baker Selection on GroovesharkTarantino believes that once a director finds the perfect song for the opening scene, it makes the film come alive for the audience and revs them up for the rest. It’s remarkable that Tarantino can make songs from different eras into cult classics today, and without the ’69 song “Little Green Bag,” the world’s introduction to one of the best ensemble casts to ever grace the silver screen wouldn’t have been the same. The first draft of the film originally had Pink Floyd’s “Money” in its place, but after hearing the song on the radio, Tarantino became extremely nostalgic and decided to replace it.Like coach factory outlet online free shipping any renowned director, the women he keeps company with play a pivotal role in the success of his films. Tarantino’s female leads are always strong, beautiful and usually barefoot (every man has his kink), kicking the ass of anyone who crosses their path. Although some may argue that his female roles are hypersexualized, we see it as a celebration of the beauty of women.Uma Thurman (Pulp Fiction, Kill Bill)They may have only made three films together, but Thurman and Tarantino are synonymous with each other. Often referred to as Tarantino’s muse, Thurman originally turned down her legendary role of Mia Wallace in Pulp Fiction.? Her “no” was met with an unwavering Tarantino who read her the script over the phone to convince her to take the role. Usually seen barefoot in his films, Thurman let Tarantino’s dreams become reality when she let him drink champagne from her shoe during a toast at the Friars Club Roast in New York City back in 2010.Diane Kruger (Inglourious Basterds)“A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty. But for Quentin, it’s not about that. He really elevates you, but not coach factory outlet in the sense of how well you’re lit or how well you’re dressed—it seems sometimes like he doesn’t really care about that stuff; he’s someone who looks at women much more as part of his creation. I feel like I’ve never been looked at by a director in quite the way Quentin looks at me.”? – Diane Kruger on working with Tarantino in Interview MagazineKerry Washington (Django Unchained)Tarantino had hoped to cast a new face for the role of Broomhilda von Shaft, Django’s wife, but ultimately went for Scandal’s Kerry Washington. Did you know that Django and Broomhilda are meant to be the great-great-great-great-grandparents of John Shaft, from the Shaft movie series?There are a lot of recurring themes, props and camera angles in Tarantino films, and one that’s near and dear to us is his use of cars. We’re not talking about the white Honda Civic which pops up in such films as Pulp Fiction, Jackie Brown and Kill Bill: Volume 2, we’re talking about the incredible vintage wheels that make his characters timelessly cool.1972 Mustang Grande (Death Proof)There were a ton of cars to ogle in Tarantino’s B-film throwback Death Proof, but our hearts were set on the 1972 Mustang Grande as soon as it appeared on screen. Obviously, its paint job is meant to match the tracksuit Uma Thurman wore in Kill Bill, which makes it sweeter. Though it didn’t get much playtime, it definitely stands out as one of the coolest cars Tarantino has cast to date.1974 Chevy Nova (Reservoir Dogs, Pulp Fiction)Ah, the Chevy Nova. While http://coachfactoryoutlet2w.webs.com/ we personally wouldn’t be caught dead in one of these things, it’s apparent that Tarantino has a soft spot for them…kind of. The car’s interior is first seen in Reservoir Dogs, when a bloody mess of a man, Mr. Orange, is transported to the abandoned warehouse where most of the story plays out. The next time we see the car is in Pulp Fiction, where, again, it’s the Coach factory outlet setting of some bloody carnage. Fans know that all of Tarantino’s films are supposed to be set in the same reality, so many have hypothesized that the Chevy Nova is in fact the same car.Chevrolet Silverado SS “Pussy Wagon” (Kill Bill vol 1)In his latest interview with Playboy, Tarantino admitted not only to still owning the Pussy Wagon but to proudly displaying it in his driveway. The fan-favorite Pussy Wagon, although only seen in the first Kill Bill film, was last used in Lady Gaga’s “Telephone” music video back in 2010. “We were having lunch one day in Los Angeles and I was telling him about my concept for the video and he said, ‘You gotta use the Pussy Wagon!’” Gaga told E! News.Tarantino refers to the black suits most of his characters are clad in as their suits of armor. “That’s my style, my guys wear black suits,” Tarantino told AFI.com. “It’s like Melville’s trench coats or John Woo’s pigeons or Leone’s dusters. It was my sense of style.” The guys from Reservoir Dogs, the most notorious black suit wearers of the bunch, were dressed by costume designer Betsy Heimann, who was tasked with dressing all of the characters for a cool 10,000 dollars. “I am very coach factory online pleased that the narrow silhouette I created influenced and still influences men’s fashion,” she told clothesonfilm.com. “I think that Quentin is responsible for the pop culture legacy of the film. The characters and the mood are contagious, just like Quentin’s enthusiasm for filmmaking.”Can't shake the Tarantino bug? Grab yourself the box set Tarantino XX which features 8 essential films - Pulp Fiction, Inglourious Basterds, Reservoir Dogs, Kill Bill vol. 1, Kill Bill vol. 2, Jackie Brown, Death Proof and True Romance - plus two bonus discs with over five hours of never-before-seen special features., Better yet, test your Tarantino knowledge over on Twitter where @PlayboyDotCom will be giving away a copy.
• Comment Link Monday, 20 May 2013 16:36 posted by Jeoraweer

  Femme on Fire: Sexy Noureen DeWulf
  Last June, we sat down with Charlie Sheen as he announced his new FX sitcom Anger Management, but what we found ourselves distracted by is his sexy new costar and our latest woman to watch. Hailing from New York and Georgia, this week’s Femme on Fire, the beautiful Noureen DeWulf, got her start on television and in short films, including the Oscar-winning West Bank Story. Audiences will recognize this fiery-eyed vixen from 90210, Outsourced and Hawthorne; her new role as the turbulent, troubled Lacey in Anger Management has pushed it to the top of our must-watch list, great news as the show will be on airwaves almost nonstop for the next two years following a 90-episode pickup. Prior to this week’s return of the show on FX, we sat down with DeWulf for a casual chat about her hot new role, road rage and kissing the Sheen. Playboy.com: Tell us about Anger Management.DeWulf: Well, the show is very much “Charlie Sheen’s show.” factory Coach Outlet He’s a therapist and conducts group therapy out of his house. He has a daughter and an ex-wife and a colleague who he has sex with. So he’s trying to balance all these parts of his life. I play one of his patients, Lacey, and he’s trying to rehabilitate me. Playboy.com: What can you tell us about Lacey?DeWulf: She’s very unhinged and angry. Her backstory is that she shot her ex-boyfriend for cheating on her…in the balls. She’s a socialite in Los Angeles and lives a privileged life, so her problems are fairy frivolous to the others. She’s not evil, but she is oblivious to many things…People do give me positive feedback on character so there’s some home for her humanity there. ?It’s therapeutic in an odd way to play such an angry and kind of bombastic girl. She’s so loud and violent at times because of the stories we get to tell—a lot of the show is sitting and talking—so for me it’s a release in a way; it’s acceptable and I get paid for it! Playboy.com: So is Lacey your hidden alter ego that only gets to come out while filming?DeWulf: Yes—to an extent…Hmm, I’m going to go with yes. Playboy.com: How is Charlie Sheen as a therapist?DeWulf: He tries his best to be effective, but as a group we’re too distracted and don’t let him get too far with us.Playboy.com: One of your character’s liabilities is road rage; what’s been your past real-life experience with this?DeWulf: I do live in L.A., and I do fight the traffic a lot, so there have been some times—this is uncomfortable for me to admit—there have been some times where I’ve rolled down my window and cussed people out. My go-to is “Are you fucking kidding me?!” Playboy.com: What’s been your favorite episode to shoot?DeWulf: I liked the road rage one, but also the one where we were sleep deprived. I got to tell all my friends that I kissed Charlie, and I did! Playboy.com: That should definitely go on your resume.DeWulf: I think it gives me a lot of street cred. Playboy.com: Now that the show is back for the rest of season one, what can we look forward to?DeWulf: With the first 10 episodes, we shot so fast. Now with the pickup, the writers are giving us deeper storylines. It will make it more of a group show. We’re going to get more in depth with Charlie’s background—his father Martin Sheen just joined our show. So there’s going to be more layers. Playboy.com: Speaking of family, your husband is Coach Outlet Buffalo Sabers goaltender Ryan Miller; what are your thoughts on the lockout?DeWulf: We’re sad in the Miller household. These hockey players are tremendous; they’ve fought their entire lives to play in the NHL, so to lock them factory Coach Outlet out, it’s not fair to the players and not fair to the fans. I’m just sad there is nowhere for him to play.#8217;s Note: This interview took place before the end of the 2012-13 NHL Lockout.]Playboy.com: Was he surprised when you told him you were chatting with Playboy?DeWulf: He just stared at me…until I said there were no pictures. Then he said okay. Playboy.com: You have a film coming up called 10 Habits of Highly Effective People; is that based on the book?DeWulf: It’s not based on the book; I’m not sure about why it’s called that. But it’s an indie film—a dark comedy—about a corporate merger. It’s very timely with the current climate in North America. You see how far people will go to make deals happen, so it reflects on that. It’s really funny; it was a very hard shoot, but it was such a great script so I really wanted to do it. I play a temporary worker only known as “Temp”—everybody just calls her Temp—and there’s something secretive about her. I don’t want to say too much! It is a film full of killing and murder so I’m not going to tell you if I make it to the end or not. I hope it turns out well—the tagline is “American Psycho meets The Office.” Playboy.com: Between this, Anger Management and your upcoming Paul Rudd-Amy Poehler flick, you’re doing a lot of comedy. Out of anything, comedy or drama, what would be your dream coach backpacks role?DeWulf: Well if there weren’t 10 more actresses in my category in front of me, I would love to be in a Quentin Tarantino movie. Someone like Tarantino or Luhrmann—a director that has so much vision for their films.Playboy.com: Speaking of Baz Luhrmann, do you sing as well?DeWulf: I attempt to sing…Playboy.com: Lightning Round. What is your favorite:City: Los Angeles.Drink: Coke slushie from 7/11.Food: Pizza—cheeseless with a bunch of veggies or a filet mignon. Secret Talent: I’m a really good putter at golf. I shocked a bunch of older guys I was playing with at the Sons of Anarchy Charity Golf Competition; I was grouped with a group of male executives from the network, and I could tell they weren’t excited to have a young woman golfing with them. So I let them drive all of the shots, and then I putted so well—and they told my story around—and we won first place! Dream Ride: I need a new car, but I don’t know what to get! Maybe an Audi. It can’t be a long car; I need to be able to parallel park. I actually had a photographer yell at me the other day: “You have a dent in your car, I can’t take a photo of you getting out of your car!” I think he was embarrassed for me…Guilty Pleasure: Staying at my house and watching reality TV in bed. Real Housewives, The Bachelor and Honey Boo Boo.Playboy.com: What advice would you give to Honey Boo Boo if you could talk to her face to face?DeWulf: Oh, there’s so much I want to know. I would probably ask her if she’s happy on her show; I hope she would say yes, or else I’d feel terrible watching. Sometimes they keep the camera on her too long, like she sneezed and snot came out of her nose. For the first time I had that really bad feeling watching a child being exploited…that lasted about 20 minutes and then I watched the next episode. I love her personality. If I had a child, if she had a personality similar to Honey Boo Boo I’d be so entertained. Pickup Line: Guy rolled down his window next to me and asked, “How do I get to stretch you out at night?” So creepy!Playboy.com: What was your first Playboy?DeWulf: I remember growing up in Georgia—our ideal beauty was Pamela Anderson…I love the Playboy ideal of beauty with the rolled back, teased-out hair. She’s such an icon. Anger Management returns Coach Outlet Online January 17th at 9 P.M. EST on FX.
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